Prime Cuts: "Stand in Awe"; "To Him"; "Reliant"
Overall Grade: 4/5
Paul Baloche returns with Yes, We Believe, his first new full-length album in six years, marking a significant moment for one of modern worship's most consistent voices. Recorded live with students at Christ For The Nations in Dallas, the project reflects Baloche's enduring commitment to writing songs for the Church-songs meant to be sung, not just heard.
Rather than chasing innovation, Yes, We Believe leans into what Baloche has always done best: crafting accessible, theologically grounded worship that invites participation. In a genre often shaped by production trends, this album feels intentionally rooted-offering a steady, reflective alternative that prioritizes substance over style.
The standout track, "Stand in Awe," co-written with Kristian Stanfill of Passion, opens with a bold declaration of faith: "You can make anyone worthy / You can make anyone whole." It's a striking lyrical moment that anchors the song's gradual, congregational build, showcasing Baloche's ability to marry clarity with melody. "To Him" follows with a familiar yet effective structure. Its anthemic rise echoes the spirit of Baloche's earlier work, particularly songs like "Hosanna (Praise Is Rising)," delivering a chorus that is both memorable and easily embraced in a corporate setting. It's not groundbreaking, but it is undeniably effective.
"Reliant," featuring Jessie Harris of Gateway Worship, brings a more reflective tone. Built on a stately rhythm, the duet unfolds with quiet strength. It may require multiple listens to fully land, but its potential becomes clearer over time. The title track, "Yes, We Believe," fits within the now-familiar framework of creedal worship songs-reminiscent of declarations like "This I Believe (The Creed)." While it reinforces foundational truths of the Christian faith, it offers little in terms of fresh perspective, leaning instead on established forms.
A highlight for long-time listeners is the revival of "As the Deer" by Marty Nystrom, a classic that bridges generations of worshippers. Though beautifully rendered, the arrangement feels slightly too brief, leaving a sense that it could have been given more space to breathe. The return of "Hosanna (Praise Is Rising)" further reinforces Baloche's lasting influence, reconnecting audiences with one of his most defining contributions to modern worship.
Ultimately, Yes, We Believe may not push boundaries, but that is precisely its strength. In his first album in six years, Paul Baloche delivers a collection that resists trend-driven worship in favor of something more enduring: songs that serve the Church, anchor belief, and invite people to sing their faith together.
