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Gary LeVox and Lee Greenwood Among Guests at Sean Hannity and Ainsley Earhardt’s Wedding

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Ohio Pastor Israel Ford Announces Second Wife, Says One-Wife Teaching Is ‘Unbiblical’

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Forrest Frank’s New Movie Teaser Puts a Generation’s Faith in the Spotlight

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Jen Hatmaker Praises Kim Hill’s Faith as Singer Opens Up About Same-Sex Relationship

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Chris Pratt Wants His Children to Inherit His Faith—and Learn From His Father’s Mistakes

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Reba McEntire’s Dolly Parton Tribute Takes On New Meaning After Their Earlier Conversation Resurfaces

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Colton Dixon Puts His Own Name On A Gravestone In ‘Bones’—And Explains The Biblical Message

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Sean Hannity And Ainsley Earhardt Marry—Their Children Give The Wedding A Deeper Meaning

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‘Young Washington’ Hits Streaming After $47 Million Run—How Does The Film Portray His Faith?

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Alisa Childers Questions Catholicism’s Appeal To Young Christians—And Viewers Challenge Her Guest

Kid Rock’s "Halfway 2 Jesus" Review: Faith, Failure and the Long Road to Redemption

Album Review: Charity Gayle’s "His Name Shall Be" Brings Christmas Worship Into Seasons Of Joy And Grief

Hillside Recording And Addy Prado Reveal The Personal Story Behind Christmas EP “Come And See”

Album Review: Josiah Queen’s “Damascus Road” Turns Spiritual Restlessness Into A Call To Live Fully

The Hi-Bridge Band’s Cy Pierpont On Finding His Way Back To Music, Chasing The Groove And Putting Family First

Carl And Laura Lentz’s "Overcoming Infidelity" Book Review: Does Their Marriage Recovery Offer A Road Map For Others?

Ebie Adkins On ‘Gone 2: Unshakable Faith’ And The Choice That Tests Everything

Jen Wilkin’s ‘Dust To Dust’ Book Review: What Our Fear Of Aging Reveals About Our Faith

Exclusive interview: Andy Riemersma On “I PRAISE YOU” And The Calling Behind His Music

Album Review: Jenna Raine’s ‘Jeans, Boys & Jesus (Deluxe)’ Finds Faith In The Mess Of Growing Up

Album Review: Josh Baldwin’s “Worth Everything” Asks A Costly Question Behind Familiar Worship Words

Dan Musselman Opens Up About Losing His Calling, Finding A New Mission, And “Dust And Doxology”

Chris Tomlin’s Daughter Ashlyn Exclusively Opens Up About “The One,” Her Famous Father, And Finding Her Own Faith

Skillet’s “After The Storm” Review: Big Hooks, Heavy Guitars, And A Familiar Fight For Hope

Exclusive Interview: Grassy Creek Bluegrass Band’s Brian Eversole Reveals The Terrifying Night Behind “Fire On The Hill”

Album Review: Megan Woods’ Self-Titled Debut Finds Its Strength In A Question Of Identity

Matt Rees’ “Death Like Yours” Album Review: What Happens When Worship Meets Church Hurt?

What Is Jake MacAdam Asking God For? Inside His New EP "Source Of Life"

Album Review: Amy Grant’s ‘The Me That Remains (Deluxe Edition)’ Finds More Beauty In The Becoming

Album Review: Charles Billingsley’s “Replay” Finds New Purpose In Christian Music’s Past

Wynonna’s “The Hard Truth” Review: What Happens When The Voice Gets More Personal?

Album Review: We Are Messengers’ "Halfway Home" Finds Hope in the Space Between Here and Heaven

Susan Ashton’s “A Distant Call” Turns 30—What Connected This Christian Album To Garth Brooks And Sheryl Crow?

Jaye King On “All God, Not Me”: What Happens When Faith Meets Life’s Hard Places?

Madonna’s VMAs Backlash Raises a Question for Christians: What Does It Mean to Age Gracefully?

Album Review: Red Worship’s "Witness" Finds Its Strongest Songs in Stories Worth Telling

Album Review: Matthew West’s "Jesus Is King" Makes Room for Both Praise and Personal Stories

Koryn Hawthorne On "Big Gospel," God’s Favor, And The Songs She’s Still Learning To Live